Saw Stratford's much-lauded production of Jesus Christ Superstar and, while I can't give it an unqualified rave, I would say that it's a strong and satisfying production of the '70's rock musical, the score of which I love.
Paul Nolan's Jesus was well sung (loved his Gethsemane and his high-pitched rock wail), but he wasn't a very charismatic Jesus--someone who could lead and inspire a band of followers, much less a 'nation.' I wish Josh Young unleashed his voice more: rather than a conflicted Judas, he was a controlled Judas, moping around the perifery. He hit all the notes (and has an appealing voice and pretty face), but lacked edge. Likewise, Chilina Kennedy's Mary Magdalene was capably sung, but lacked yearning. Her pretty, doe-eyed expression made her seem more a fan girl than a devoted disciple.
The standout for me was Bruce Dow's Herod. He has only one scene, one song, but what he does with it. Both menacing and camp, he is funny and scary in his singing and acting. His Herod is a bully who enjoys mocking others. Meanwhile, his fey posse of sychophants prance around the stage beneath a Vegas-sized illuminated "H". Wonderfully over the top.
The industrial-looking set (with a catwalk running around 3 sides) reminded me a bit of Next to Normal, and I yearned for Kevin Adams-style lighting (the actual lighting was otherwise fine). The production works well when it's over the top (the Herod number or the title song, where Jesus is raised on a platform in front of a large illuminated cross) or anachronistic (the contemporary style choreography in the Simon Zealotes number was amusing) and I wouldn't mind seeing them do more of that in the transfer. It's a rock musical, and it does well with a lot of flash and jazz.
Josh Young (Judas) performs the title song, Jesus Christ Superstar:
Bruce Dow's delightfully decadent Herod:
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